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Summary
They’re fifteen the first time Patrick asks Art if he’s fucked anyone, and Art looks at him, and scoffs, and says, “You know nobody looks at me like that when we’re here.”
Patrick doesn’t think that’s true, but he can’t figure out a way to shape his mouth around that whilst also holding onto the smile that’s almost-permanent when he’s looking at Art.
Instead, he says, “I mean, doesn’t have to be a tennis girl.”
Art gives him that look he gets sometimes, like he’s exasperated and hopelessly endeared at once. Like Patrick has said something completely incomprehensible, but Art can’t help but stay and talk to him anyway.
“Who else would I do that with?” Art asks.
Patrick has nothing to say.
That’s the thing about Patrick Zweig. All he does is want. He doesn’t know how to stop.
—patrick zweig, on desperately wanting someone to look back at you, even if you have to drive them away to do it
Series
- Part 6 of the personhood files
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Bookmark Notes:
too bright to look at by timeloops (Challengers), Art/Patrick
[id: 56066341] -
Bookmark Notes:
The Tashi in his head berates his play, his work ethic, his commitment to the sport they all ostensibly love, and the Art in his head is forever on the cusp of nineteen, with sunlight streaming through his hair. He never opens his mouth. Patrick can’t decide if that’s his head’s gift or punishment
Perfection from start to finish
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Bookmark Notes:
Beautifully yearning Patrick, young and older